"Sometimes I have a hard time connecting to the boundless positivity in modern worship music, but these old hymns often resonate deeply with the “dark and light” duality that exists within me." (Paul Duncan)
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"I still remember a real sense of Gods presence with us in the room as we were finishing up the chorus of Adore, and thinking to myself: 'if this song goes nowhere else, it has ministered to my soul.' (Martin Chalk)
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"My wife and I were in the midst of losing a pregnancy, and I found myself wanting to write a song." (Paul Duncan)
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“Come, let us sing the song of songs, the angels first began the strain; the homage which to Christ belongs: ‘Worthy the lamb, for he was slain.’”. (James Montgomery)
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"This song started as my response when Charleston happened. Then Orlando. Then Louisiana. Then Minnesota. Then Dallas. And all along I knew it wasn't meant to be a song that I finished on my own." (Mark Alan Schoolmeesters)
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"Hallelujah is our hearts cry, the word on our lips regardless of our situation." (Jenny Wahlstrom, Dan Weeks)
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"'Break our hearts again' – an interesting petition. Should we not rather ask God to heal our broken hearts? Perhaps. Or, perhaps, in the rending, there is revelation we’d miss if we moved too quickly from broken to whole." (Paul Demer)
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"I printed the lyrics, grabbed my baby Martin and a pencil, and headed outside. I literally sat down and played the song. The music just flowed out of me. The chorus almost jumped out from Ephesians 3:17-19, pulling the song together. 'How high, how wide, how deep is the father’s love for me.' (Stephen Petree)
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“I came across this fantastic lyric when exploring through some traditional American hymnals. Being from Denmark, I didn't know the hymn and had never heard the original melody, so to me it felt very fresh." (Arvid Asmussen)
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